7:15 Death and Dying
We hung out to dry the towel with care on a clothes line in the patio. With the extreme heat and the low humidity, most homes don’t bother with a machine dryer. The climate does it for you and for a lot less, as long as the government doesn’t concoct a way of coming up with a tax. While I tended to the clothes, I listened to the local radio blare out over the garden, giving tips on how to keep holiday beach homes sand-free. That kind of radio talk, I thought, most certainly would discourage birds from feasting on the fruit. So, relieved to know that the food was safe from flying vermin, we sat down at the table for an evening beer and a chance to plan the rest of the day. The craft beer fad that had taken the world with money to spare by storm had now established itself firmly in Spain. Just about everyone I knew with five gallons of water on hand, a boiler and a handful of hops lying about had suddenly become a master brewer.
“Try my new beer! Try my new beer!” It was so annoying. I’m surprised I haven’t keeled over from alcohol poisoning by now. On really hot days, I still preferred the mass-produced Madrid brew, Mahou, served ice cold. Most people from outside of Spain have never heard of it, and yet ironically it is the most widely sold lager in the country. Mahou (pronounced as in Chairman “Mao”) comprises about a third of all the beer consumed. The national total is around 40 million hectoliters, or about 8.5 billion pints of beer. That’s a 177 pints for every man, woman, child and infant. We should probably throw in the dogs too. And this is a wine-producing country, mind you. Drinking is big business, needless to say.
After that advertising spot for which I will receive no remuneration, let’s move on. As Victoria sprayed down the terrace floor with water and cooled the air, we looked at our options for next couple of hours. Basically two came to mind: stay home and continue to drink beer or walk around the town to see what’s up. The former was tempting, but the latter was what we wanted to do. Cebolla may not have the stunning beauty of places like Santillana del Mar, Medinaceli, Urueña, Pedraza, Vejer de la Frontera, Albarracín, Morella, Ribadeo, Alberca, Viana, Ronda, Besalú, or Cudillero, to name just a few, but nor did a lot of places in Spain. In Cebolla’s case, other than its curious name, there is very little that would lure a visitor in from a strictly touristic point-of-view. It doesn’t take a seasoned traveler to reach this conclusion; the locals themselves will tell you the same. “Pero no hay nada aquí!”
But in the end, that is exactly why I am inextricably drawn to them. I have a soft spot for them. Their plainness, their ordinariness, their thrill-less, frill-less world. Their quiet desperation. Small town life. It is what most places in Spain tend to be like. It’s what most places in the world tend to be like. Everyday worlds. Everyday living. Towns like Cebolla have managed to survive every major period in Spain’s history since the days the Emperor Hadrian –who happened to be from Spain, I’ll have you know. Didn’t that fact in itself make them deserving of our greatest respect and admiration? Well, that depended mainly on the weather.
“I don’t know.” I pondered for a second. “Naw. It’s too hot. I think we should hang out.”
“Come on!” urged Laura. “It’ll be fun.”
“Honey, your understanding of what defines entertainment never ceases to amaze me. I don’t get a kick out of heatstroke.”
“And your ability to sit on your butt for extended periods of time never ceases to amaze science. I thought you loved the Deep Spain?”
“I do, but not in the deep heat.”
She took my beer away and poured it down the sink. “We’re going. It’s decided.” Well, that battle was lost.
“I don’t want to cause a rift,” intervened Fernando. “You can take it out to the pillory, if you’d like.” The pillory, or picota, as it is known in Spanish, was a large stone column usually placed in the center of town to exhibit punished individuals and, in passing, give the locals a taste of just what the full force of the law is capable of doing when it put its mind to it. In other words, in addition to showing off dangling bodies and rotting limbs, it also served as a deterrent for future crimes. Saying you had a pillory in your town was a major status symbol statement. That also may explain its phallic shape. Nowadays your town can do the same by opening a high-profile museum or hosting a tennis tournament, but back then, owning a granite post for public sanctioning did the talking.
As one of the few surviving historic monuments adorning the town, the elders have gone to great lengths to preserve it. They just can’t think of the ideal place to put it, so it gets moved around every now and again. Currently it’s located on the side of one of the roads that lead out of town, where no one will ever notice it again. Someone, I tell you, needs to get into the tourist board and shake things up a bit.
Anyhow, despite Fernando’s suggestion, I figured the dispute could be settled peacefully at home, so I replied.
“Not necessary. I guess we can go around and catch up on the latest.”
“There’s no such thing as the latest here,” chuckled Victoria. “But you go ahead. I have to stop in my niece’s house; don’t worry, dinner is ready, so when you come back, we can eat.” True to the standards of most Spanish mothers, the meal had been prepared hours in advance and was on standby for consumption at the snap of a finger.
We walked out the door and looked around. Life began to stir in the pretty main square. Young kids gathered, hung out, hovered over smartphones, joshed and giggled. The youngest ones booted around a soccer ball, using the low wall that formed the periphery of the square as the boundaries of the pitch. The older ones shared Instagram pictures and videos and remarked on whatever was going on in their world. An older couple melded into a bench and quietly observed. Three retired couples had picked up a game of petanca (bocce ball) on the other side. The town was emerging and gearing up for the night, the same way every town in Spain was doing at that very moment.
“You see that?” Fernando pointed to the damaged street sign high up on the wall in front of us. “What do you think of that?”
“Vandalism,” I replied.
“Nope. That’s history in the making. And it happened today. On this very day.” He went on to tell us about the now infamous Battle of the Law of the Historic Memory and the fall of one of the last symbols of Francoism in a tiny, forgotten street of La Mancha. He provided some details about the skirmish that morning between David and the workers, though doubtfully with the same intensity as the events themselves transpired. When he finished recounting the tale, he summed up with a “Now, don’t tell me nothing happens here.”
“But you’re the one who always says that!”
“But now we know I’m wrong!”
“You’ve got me there,” I conceded. “Maybe I’ll take a picture of it. I’ll probably just delete it in a few weeks, but what the hell.”
“Let’s take a selfie,” suggested Laura, revealing one of her favorite hobbies.
“You want to take a selfie of a broken street sign?” I asked.
“Of course. It says we were here at a historic moment in this town.”
“It says that we’re bored out of our minds, that’s what it says.”
“She has a point,” said Fernando. “This doesn’t happen often.”
“Well, damn,” I cried out. “Now that we’re at it, why don’t we do a boomerang, or whatever they call it.”
“Honey, you don’t take boomerangs of things that aren’t moving.” She looked at Fernando then back at me with pity. I sensed that would be on the receiving end of that gaze as I get older. “He wants to be with the times but he gets confused about these things.”
“I’m very much on top of what’s in!” I protested. “I have a Google Drive cloud account and everything.”
“If you want, Laura, I can do a surfing pose in front of the sign and sway back and forth. Would that work?” suggested Fernando.
“That would be hysterical!”
“What are you talking about?” I cried. “What does that have to do with the Franco period?”
“It’s conceptual art, my friend. It has nothing to do with it. You decide what it means.”
“Listen,” I balked. “We’ve taken just two steps from the house and I’m ready to go home. There’s a six of beer in the fridge.”
They weren’t listening. Instead they were scrutinizing the picture and laughing with approval. “I have to post it,” said Laura.
“Sounds great!” I agreed impatiently. “Now, can we go? I don’t want to miss anymore historic moments in this town. Apparently, they are a dime a dozen.”
“Lead the way, sir. Lead the way!” He bowed.
“It’s your town. You lead the way.”
We took a left at the corner and headed up the street towards where the church was. The road has earned a degree of fame locally for its steepness, and I can personally assure its veracity. As you climb, there is a sense that you are performing severe penitence before mass. “Fernando, you don’t happen to have a cross,” I asked as I panted. “Just so I can get the full Calvary effect.”
“Nope. But if you want to carry me, I wouldn’t mind.”
Half way, I paused to catch my breath and take a look around. My chest heaved as I looked down the hill to admire the distance we had progressed. At least 150 feet.
It was at that very point that my eyes fell upon a message scrawled on the wall of a house to our right.
“Now, take a look at that.” I was very pleased by my discovery.
I’m a sucker for graffiti. I really am. I get a real kick out of wandering through the streets, especially the towns and villages of this country, and checking out what is going down on the murals and shop shutters. And not just the work of some local Banksy, but rather the everyday Juan García, normal kid, scribbling thoughts with poor penmanship and shaky spelling. They tell us a lot. These used to be local social networks of yesteryear, the ones that shared information before the days of internet. They may not have the impact they used to, but their presence persists. They’re probably the work of mostly young males, posting their opinions on the walls and roll-up shutters on the storefronts. Some want to rebel, others decry injustice; some demand passion, others bemoan unrequited love; some call a neighbor out for screwing them over, others simply engage in primitive trolling; then there are the artists, the creative ones who just can’t seem to find a canvass big enough or a gallery spacious enough to harbor their visualized emotions. All of them live out a longing to be anonymous and visible at the same time.
They can be poetic and creative, but also just plain base. Crude. Short and to the point. Lacking finesse. But it’s their brevity, their terseness, their stark honesty that enthuse me. They are urban haikus. Rural epithets.
I remember one day walking at the edge of a town in the province of Madrid, along an ancient wall separating me and a stunningly beautiful field of wild flowers and shivering white poplar trees with the proud Carpetano Mountains in the background. My eyes suddenly zeroed in on a harsh metal lamppost and spotted a word painted on it. Dried streams of paint slid down the tips of the letters. The paint was not designed for that surface. But there it was in all its glory: “Puta”. A word as isolated as an atoll. Incredible. “Puta” has a whole array of meanings. From “Bitch”, and “Whore” to even an exuberant “Awesome!” or an exasperated “Fuck!” It’s such a versatile word that it’s hard to judge from the context just what the author meant. That’s what good poetry is all about.
As I caught my breath I read this new piece of literature to add to my collection. It was a real jewel:
Mi mejor amiga Lucía
(My best friend, Lucía)
That was the original text, at least. But it wasn’t exactly how it was worded anymore. More recent corrections had been made.
mejor amiga guarra Lucía
best slutty friend Lucía)
Clearly there had been developments in the relationship between the author and subject from the original draft to the revised one. The change of heart not only added depth to the text, it raised a number of questions. Just why, for example, “amiga” was kept in but “Lucía” crossed out is a mystery whose answer I don’t have. Intriguing. Who wouldn’t find this tiny bit of street poetry worthy of a few minutes of observation and analysis?